Lee Cuddy is seventeen years old and on the run. Betrayed by her family after taking the fall for a friend, Lee finds refuge in a cooperative of runaways holed up in an abandoned building they call the Crystal Castle. But the façade of the Castle conceals a far more sinister agenda, one hatched by a society of fanatical men set on decoding a series of powerful secrets hidden in plain sight. And they believe Lee holds the key to it all.
Hailed by The New York Times for its “wildly ambitious...dazzling use of language” and “mesmerizing storytelling,” The Incarnations is a “brilliant, mind-expanding, and wildly original novel” (Chris Cleave) about a Beijing taxi driver whose past incarnations over one thousand years haunt him through searing letters sent by his mysterious soulmate.
Who are you? you must be wondering. I am your soulmate, your old friend, and I have come back to this city of sixteen million in search of you.
So begins the first letter that falls into Wang’s lap as he flips down the visor in his taxi. The letters that follow are filled with the stories of Wang’s previous lives—from escaping a marriage to a spirit bride, to being a slave on the run from Genghis Khan, to living as a fisherman during the Opium Wars, and being a teenager on the Red Guard during the cultural revolution—bound to his mysterious “soulmate,” spanning one thousand years of betrayal and intrigue.
As the letters continue to appear seemingly out of thin air, Wang becomes convinced that someone is watching him—someone who claims to have known him for over a century. And with each letter, Wang feels the watcher growing closer and closer…
Seamlessly weaving Chinese folklore, history, literary classics, and the notion of reincarnation, this is a taut and gripping novel that reveals the cyclical nature of history as it hints that the past is never truly settled.
She has been hailed by Michael Chabon as “the most darkly playful voice in American fiction” and by Neil Gaiman as “a national treasure.” Now Kelly Link’s eagerly awaited new collection—her first for adult readers in a decade—proves indelibly that this bewitchingly original writer is among the finest we have.
Link has won an ardent following for her ability, with each new short story, to take readers deeply into an unforgettable, brilliantly constructed fictional universe. The nine exquisite examples in this collection show her in full command of her formidable powers. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids . . . These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty—and the hidden strengths—of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.
IN THE SOUNDS AND SEAS, a wordless comic characterized by poetic investigations in to mythology and the quest for meaning-making, brought to life by the mesmerizingly patterned ink illustrations of award-winning author Marnie Galloway. In the style of epic poems of myth and monsters, IN THE SOUNDS AND SEAS opens with a creation myth: three figures sit around a fire in the woods and burst in to song, and their voices weave and blend together to make the ocean and the world. Within this new world the boundary between truth and fiction, fantasy and reality, are blurred. The protagonist lives in this “sung” landscape where she builds a ship to sail and find the legendary singers of their world, with the help of two others who are less haunted by her mission. It is a story about obsessive creative production, the search for creative community and meaning through art, and what happens when dreams we invest our whole selves in to fail.
Childhood friends Patricia Delfine and Laurence Armstead didn't expect to see each other again, after parting ways under mysterious circumstances during middle school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one's peers and families.
But now they're both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who's working with a group that aims to avert catastrophic breakdown through technological intervention. Patricia is a graduate of Eltisley Maze, the hidden academy for the world's magically gifted, and works with a small band of other magicians to secretly repair the world's every-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together--to either save the world, or plunge it into a new dark ages.
Charlie Jane Anders' All the Birds in the Sky is a deeply magical, darkly funny examination of life, love, and the apocalypse.
FROM HELL occupies a monumental place in the history of the graphic novel: a Victorian masterpiece of murder and madness which has won numerous awards, spawned a major Hollywood film, and remained a favorite of readers around the world for over two decades.
Now, Top Shelf Productions and Knockabout Comics present THE FROM HELL COMPANION, an astonishing selection of Alan Moore’s original scripts and sketches for the landmark graphic novel, with copious annotations, commentary, and illustrations by Eddie Campbell. Here for the first time are a set of pages, including some of Moore’s greatest writing, which have never been seen by anyone except his collaborator. Joining them are Campbell’s first-hand accounts of the project’s decade-long development, complete with photos, anecdotes, disagreements, and wry confessions. Arranged in narrative order, these perspectives form a fascinating mosaic, an opportunity to read FROM HELL with fresh eyes, and a tour inside the minds of two giants of their field.
Eddie Campbell’s Bacchus is a true epic, spanning a decade of work, over a thousand pages, and several millennia of alcohol consumption. In Bacchus, the visionary behind FROM HELL (with Alan Moore) and ALEC: THE YEARS HAVE PANTS presents his version of “an American-style comic
book,” filtered through his own brilliant, whimsical, and wide-ranging sensibility. With a fine blend of action, comedy, suspense, and an ear for a great story, Bacchus brings the gods and myths of ancient Greece to modern life, as if they had never left. Nearly 600 pages, this deluxe volume collects the second half of the Bacchus saga with new notes and commentary by the author.
In Bacchus, the visionary behind From Hell (with Alan Moore) and ALEC: The Years Have Pants presents his version of “an American-style comic book,” filtered through his own brilliant, whimsical, and wide-ranging sensibility. With a fine blend of action, comedy, suspense, and an ear for a great story, Bacchus brings the gods and myths of ancient Greece to modern life, as if they had never left.