IN THE SOUNDS AND SEAS, a wordless comic characterized by poetic investigations in to mythology and the quest for meaning-making, brought to life by the mesmerizingly patterned ink illustrations of award-winning author Marnie Galloway. In the style of epic poems of myth and monsters, IN THE SOUNDS AND SEAS opens with a creation myth: three figures sit around a fire in the woods and burst in to song, and their voices weave and blend together to make the ocean and the world. Within this new world the boundary between truth and fiction, fantasy and reality, are blurred. The protagonist lives in this “sung” landscape where she builds a ship to sail and find the legendary singers of their world, with the help of two others who are less haunted by her mission. It is a story about obsessive creative production, the search for creative community and meaning through art, and what happens when dreams we invest our whole selves in to fail.
One of the finest American wood engravers of the twentieth century and an outstanding artist of any era, Lynd Ward (1905-85) created a series of fantastic visual novels. The powerful imagery and psychological intensity of his wordless works have elicited comparisons to the writings of Hawthorne, Melville, and Poe, and they have exercised an enormous influence over latter-day graphic novelists.
Ward's tutelage included studying under the direction of German woodcut and engraving master Hans Alexander Mueller. He published his first book, Gods' Man: A Novel in Woodcuts, in 1929. Like its successors, including Mad Man's Drum, Gods' Man consists solely of Ward's woodcuts, telling its story through imagery alone.
Ward's hauntingly rendered works have been honored with such prestigious awards as the Library of Congress Award, the National Academy of Design Print Award, the New York Times Best Illustrated Award, the Caldecott Medal, and the Regina Award.
One of the twentieth century's finest woodcut artists, Lynd Ward (1905–1985) created an influential series of amazing visual novels. Burning with a rich, highly emotional style, the imagery and psychological intensity of Ward's works-without-words have been compared to the writings of Hawthorne, Melville, and Poe.
Wild Pilgrimage wordlessly relays the gripping tale—in startling shades of black and red—of a man born into a grim industrial world, chronicling his struggles between the drab reality around him and the fantasy world of his imagination. Following the story's hero through nearly 100 sharply rendered illustrated pages, readers become aware of a fundamental dilemma plaguing our modern times: that of a unique individual living, working, and aspiring to dream in an overwhelming mass society.
A student of the German master wood engraver Hans Alexander Mueller, American–born Lynd Ward illustrated more than 100 adult and juvenile books during his career. His hauntingly rendered works have won such prestigious awards as the Library of Congress Award, the National Academy of Design Print Award, the New York Times Best Illustrated Award, the Caldecott Medal, and the Regina Award. Ward's works are also represented in a permanent collection at the Smithsonian Institution.
The most important work of American artist and illustrator Lynd Ward, Gods' Man is a powerfully evocative novel, told entirely through woodcuts. Ward (1905–85), in employing the concept of the wordless pictorial narrative, acknowledged his predecessors the European artists Frans Masereel and Otto Nückel. Released the week of the 1929 stock market crash, Gods' Man was the first of six woodcut novels that Ward produced over the next eight years. It presents the artist's struggles in a world characterized by both innocence and corruptions and can be considered a forerunner of the contemporary graphic novel, popularized by artists such as Daniel Clowes.
Although best known for his "novels in woodcuts," Ward was also a successful illustrator of children's books. In 1953 he won the Caldecott Medal for The Biggest Bear, which he both wrote and illustrated. His illustrations also appeared in numerous books that received the Newbery Medal. Ward's final work was the acclaimed wordless novel The Silver Pony (1973).
Until now, Gods' Man has only been widely available in high-priced original editions. This top-quality, low-cost republication of Ward's masterpiece will be welcomed by collectors of his work as well as by readers new to his achievement.
FROM HELL occupies a monumental place in the history of the graphic novel: a Victorian masterpiece of murder and madness which has won numerous awards, spawned a major Hollywood film, and remained a favorite of readers around the world for over two decades.
Now, Top Shelf Productions and Knockabout Comics present THE FROM HELL COMPANION, an astonishing selection of Alan Moore’s original scripts and sketches for the landmark graphic novel, with copious annotations, commentary, and illustrations by Eddie Campbell. Here for the first time are a set of pages, including some of Moore’s greatest writing, which have never been seen by anyone except his collaborator. Joining them are Campbell’s first-hand accounts of the project’s decade-long development, complete with photos, anecdotes, disagreements, and wry confessions. Arranged in narrative order, these perspectives form a fascinating mosaic, an opportunity to read FROM HELL with fresh eyes, and a tour inside the minds of two giants of their field.
Eddie Campbell’s Bacchus is a true epic, spanning a decade of work, over a thousand pages, and several millennia of alcohol consumption. In Bacchus, the visionary behind FROM HELL (with Alan Moore) and ALEC: THE YEARS HAVE PANTS presents his version of “an American-style comic
book,” filtered through his own brilliant, whimsical, and wide-ranging sensibility. With a fine blend of action, comedy, suspense, and an ear for a great story, Bacchus brings the gods and myths of ancient Greece to modern life, as if they had never left. Nearly 600 pages, this deluxe volume collects the second half of the Bacchus saga with new notes and commentary by the author.
For the first time ever, the pioneering autobiographical comics of master cartoonist Eddie Campbell (From Hell) are collected in a single volume! Brilliantly observed and profoundly expressed, the ALEC stories present a version of Campbell's own life, filtered through the alter ego of "Alec MacGarry." Over many years, we witness Alec's (and Eddie's) progression "from beer to wine" - wild nights at the pub, existential despair, the hunt for love, the quest for art, becoming a "responsible breadwinner," feeling lost at his own movie premiere, and much more! Eddie's outlandish fantasies and metafictional tricks convert life into art, while staying fully grounded in his own absurdity. This Life-Size Omnibus edition of ALEC includes all the stories from The King Canute Crowd, Three-Piece Suit, How to be an Artist, and After the Snooter, as well as the very early, out-of-print ALEC stories and a staggering amount of bonus material.
Two of the greatest creators in the history of comics. Eleven unsolved murders. One sprawling conspiracy, one metropolis on the brink of the twentieth century, and one bloody-minded Ripper ushering London into the modern age of terror. From Hell, often ranked among the greatest graphic novels of all time, is now available in a handsome hardcover edition, with a brand new cover.