How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.
Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes "ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work," to Gabriel García Márquez's observation that "in the first paragraph, you solve most of the problems with your book," The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. With an introduction by Orhan Pamuk, this volume brings together another rich, varied crop of literary voices, including Toni Morrison, Isaac Bashevis Singer, Graham Greene, James Baldwin, Stephen King, Philip Larkin, Eudora Welty, and more. "A colossal literary event," as Gary Shteyngart put it, The Paris Review Interviews, II, is an indispensable treasury of wisdom from the world's literary masters.
Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From Salman Rushdie's daring rhetorical question "why shouldn't literature provoke?" to Joyce Carol Oates's thrilling comments about her own prolific output, The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists, poets, and playwrights. How did Geroges Simenon manage to write about six books a year, what was it like for Jan Morris to write as both a man and a woman, what influences moved Ralph Ellison to write Invisible Man? In the pages of The Paris Review, writers give more than simple answers, they offer uncommon candor, depth, and wit in interviews that have become the gold standard of the literary Q&A. With an introduction by Margaret Atwood, this volume brings together another rich, varied crop of literary voices, including Martin Amis, Norman Mailer, Raymond Carver, John Cheever, Harold Pinter, and more. "A colossal literary event," as Gary Shteyngart put it, The Paris Review Interviews, III, is an indespensible teasure of wisdom from the world's literary masters.
This critically acclaimed series continues with another eclectic lineup, including Philip Roth, Ezra Pound, Haruki Murakami, Marilynne Robinson, Stephen Sondheim, E. B. White, Maya Angelou, William Styron and more. In each of these remarkable extended conversations, the authors touch every corner of the writing life, sharing their ambitions, obsessions, inspirations, disappointments, and the most idiosyncratic details of their writing habits.
The collected interviews of The Paris Reviews are, as Gary Shteyngart put it, "a colossal literary event."